So, it turns out it only takes listening to three lines of my own story to make me cry.
I was delighted with the actress; accents, age, everything was spot on. Overall, I thought it was great.
Two problems:
- Every flaw in the plot, dialogue etc became glaringly obvious to me
- They left out a sentence, or possibly moved it from the beginning of a paragraph to the end. Have to check. But it was a sentence that made sense of the rest of the paragraph. However, I'm told you could still get the gist.
So now I'm a person who has had a story broadcast on the radio. Weird. But good.
Thursday, January 7, 2010
Will I cry?
So, my story should be on RTE1 in about 38 minutes. I am extremely nervous. Unbelievable that something I made up in my head is going to be broadcast to the nation. Anyone at all can listen!
It's especially weird because I had no input into the recording and have no idea what it'll sound like. The narrator in the story is a 17-year-old girl. The only thing I know about its reader is that she's female. As long as she's under 30 it should be ok.
It could be ok anyway, if done right. Well, there's nothing I can do now. I shan't be ringing RTE in a huff even if I HATE the broadcast, but it's going to be very interesting.
How will I feel when I'm listening? Will I cry?
It's especially weird because I had no input into the recording and have no idea what it'll sound like. The narrator in the story is a 17-year-old girl. The only thing I know about its reader is that she's female. As long as she's under 30 it should be ok.
It could be ok anyway, if done right. Well, there's nothing I can do now. I shan't be ringing RTE in a huff even if I HATE the broadcast, but it's going to be very interesting.
How will I feel when I'm listening? Will I cry?
Sunday, January 3, 2010
Welcome Molly!
So, if you've been paying attention you'll have noticed that I haven't posted in three months.
By complete coincidence my daughter Molly was eleven weeks old today. Welcome, Molly!
I may have mentioned in previous posts that there was a major task hanging over me; a novel reorganisation. I wanted to put the murder on page one and move early action to flashbacks from there.
It seemed a Herculean task. I've been pondering it for ages.
Today I decided to just get on with it. I want to enter this years' Debut Dagger, and you only supply the first 3000 words to the competition. No point doing it until the murder's on page one and I'm fairly happy with it.
With Molly gurgling at me from the corner of the sofa, I went through my MS and noted where alterations should be made. It took about an hour. Then I implemented the changes in the doc. That took exactly an hour and five minutes.
Now I can print it out, read through it, and smooth the rough edges. Any inconsistencies introduced by the new order of events can be eliminated. Then I can send it off.
Two hours, for a job that's been hanging over me like the Sword of Damocles for months.
I also removed the childish nickname my characters have for the murder victim. The nickname gave me a distaste for the MS a long time ago. Only now that it's gone do I realise that this is partly why I've done no work on the novel since April.
Of course pregnancy and work commitments were also responsible. But it's a useful insight - if you've come to hate your writing, look for the small changes that'll make you fall in love with it again.
By complete coincidence my daughter Molly was eleven weeks old today. Welcome, Molly!
I may have mentioned in previous posts that there was a major task hanging over me; a novel reorganisation. I wanted to put the murder on page one and move early action to flashbacks from there.
It seemed a Herculean task. I've been pondering it for ages.
Today I decided to just get on with it. I want to enter this years' Debut Dagger, and you only supply the first 3000 words to the competition. No point doing it until the murder's on page one and I'm fairly happy with it.
With Molly gurgling at me from the corner of the sofa, I went through my MS and noted where alterations should be made. It took about an hour. Then I implemented the changes in the doc. That took exactly an hour and five minutes.
Now I can print it out, read through it, and smooth the rough edges. Any inconsistencies introduced by the new order of events can be eliminated. Then I can send it off.
Two hours, for a job that's been hanging over me like the Sword of Damocles for months.
I also removed the childish nickname my characters have for the murder victim. The nickname gave me a distaste for the MS a long time ago. Only now that it's gone do I realise that this is partly why I've done no work on the novel since April.
Of course pregnancy and work commitments were also responsible. But it's a useful insight - if you've come to hate your writing, look for the small changes that'll make you fall in love with it again.
Wednesday, September 30, 2009
Editing wisdom
Thanks to Nathan for linking to this great post on editing. I'm sticking it up here for ease of retrieval next time The Novel gets some TLC.
The Deadline Approaches
Why is it that the less time I have left the more work comes in? Three and a half weeks and counting... and I haven't had a chance to touch my novel in months.
Meanwhile the broadcast of 'Only Four Girls' has been postponed due to rescheduling at RTE. It should be on soon though I hope.
Meanwhile the broadcast of 'Only Four Girls' has been postponed due to rescheduling at RTE. It should be on soon though I hope.
Monday, August 31, 2009
Interim Report
I've been feeling gloomy about my literary opus for some time. The agent who asked for the whole MS (having already read 3 chapters) finally turned it down after six months. This happened around last April.
The agent said that mysteries by new writers were not *not* NOT selling to publishers. I must admit I was extremely discouraged. But recently I'm feeling more optimistic because I came across this blog post.
At the moment I'm being paid actual cash to do some IT-related work. I'm hoping I'll get that finished on time to send out a revised version of my first three chapters to a batch of agents.
What's the deadline, you ask?
Childbirth, probably some time in late October.
`
The agent said that mysteries by new writers were not *not* NOT selling to publishers. I must admit I was extremely discouraged. But recently I'm feeling more optimistic because I came across this blog post.
At the moment I'm being paid actual cash to do some IT-related work. I'm hoping I'll get that finished on time to send out a revised version of my first three chapters to a batch of agents.
What's the deadline, you ask?
Childbirth, probably some time in late October.
`
Friday, July 24, 2009
Query Letter
My Details
Date
Ms x, Submissions Editor
Some Agents
A street
London POSTCODE
Dear Ms. x,
I'm looking for a literary agent, and I'd like to submit my crime novel for your consideration.
Cynthia is a light-hearted software developer working in the City of London. She doesn't believe in mixing work and romance – until she meets her obnoxious boss's dashing step-son Harold. Unfortunately, said obnoxious boss is murdered just as things are hotting up. Cynthia was fifteen feet away at the time, concentrating on a particularly tricky program. She knows who she'd be arresting if she were in charge of the case.
Feeling like a techie Bridget Jones plunged smack into the middle of an Agatha Christie, Cynthia decides to track down the killer before she's hauled off in a Black Maria. Her friendly co-workers James and Liz volunteer to help with fingerprints and back-watching. Cynthia trawls through her boss's emails and interviews a succession of eccentric colleagues. Absolutely everyone seems to have a motive.
Meanwhile, Harold is flatteringly persistent. Flirting madly over dinner, Cynthia wonders if this is a romance? Or is he just sussing out what she's up to?
Cynthia's enterprise arouses the ire of the enigmatic Superintendent in charge of the case. She can handle that. But then she attracts the murderer's attention.
Stiletto in Old Street is my first novel, complete at 75,000 words. It's aimed at the contemporary crime fiction market. All of the characters are fictional, but I have experienced Cynthia's setting at first hand; until recently I worked as a senior software developer in Old Street.
I have not included an SAE because I am currently based in Ireland. If you would like to see the manuscript, please let me know by email. My email address is above. Thank you for your attention.
Yours Sincerely,
Ita Ryan
Date
Ms x, Submissions Editor
Some Agents
A street
London POSTCODE
Dear Ms. x,
I'm looking for a literary agent, and I'd like to submit my crime novel for your consideration.
Cynthia is a light-hearted software developer working in the City of London. She doesn't believe in mixing work and romance – until she meets her obnoxious boss's dashing step-son Harold. Unfortunately, said obnoxious boss is murdered just as things are hotting up. Cynthia was fifteen feet away at the time, concentrating on a particularly tricky program. She knows who she'd be arresting if she were in charge of the case.
Feeling like a techie Bridget Jones plunged smack into the middle of an Agatha Christie, Cynthia decides to track down the killer before she's hauled off in a Black Maria. Her friendly co-workers James and Liz volunteer to help with fingerprints and back-watching. Cynthia trawls through her boss's emails and interviews a succession of eccentric colleagues. Absolutely everyone seems to have a motive.
Meanwhile, Harold is flatteringly persistent. Flirting madly over dinner, Cynthia wonders if this is a romance? Or is he just sussing out what she's up to?
Cynthia's enterprise arouses the ire of the enigmatic Superintendent in charge of the case. She can handle that. But then she attracts the murderer's attention.
Stiletto in Old Street is my first novel, complete at 75,000 words. It's aimed at the contemporary crime fiction market. All of the characters are fictional, but I have experienced Cynthia's setting at first hand; until recently I worked as a senior software developer in Old Street.
I have not included an SAE because I am currently based in Ireland. If you would like to see the manuscript, please let me know by email. My email address is above. Thank you for your attention.
Yours Sincerely,
Ita Ryan
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